[Rumori] L.A. Times - When copyright law meets the
'mash-up'
Anthony Hall
anthonyh at epic.co.uk
Fri Mar 26 09:44:32 PST 2004
>
>however, I still think having shows like this give a lot of people - who are
>usually not exposed to ideas / compositional aesthetics that float around on
>marginal forums such as this list - the right idea about what they can do
>with their computers and CD/mp3 collections. (vinylheads like me tend to
>know :)
That's very true, but that is no different from any other "artistic"
creation. There will always be a slice of the audience who are wondering
how it was done and how they could do it themselves. The difference,
though, is the simplicity
In a way you could compare mash-ups as the musical equivalent of some of
warhol's work - it's so brutal in it's simplicity that people think "I
could have done that - there's no talent there" (as opposed to more
refined, complex "Pop Art" / "Sampling") - yet it doesn't detract one iota
from it's effectiveness.
>however if all these people start recycling crap media content and make big
>media corporates and "copyright owners" even richer while they don't earn
>any money than we'll face some frightening days. luckily I'm not so paranoid
>yet that I would believe in such an evil hidden agenda :)
Ah, sheer bloody minded optimism. So refreshing!
It surprises me that there hasn't been more "corporate" mash-ups yet.
Although there have been rumours, no record label has officially opened up
their archives to a selected individual to be legally mashed - not in the
same way as say US3 were allowed to do with the Blue Note catalogue - and
I'm also not including "photocopies" (covers) of mash-ups - like Richard
X's work, or the appalling (in concept and execution) cover of "Genie In A
Bottle" by Speedway (based on Freelance Hellraiser's mash-up of the
original Aguilera vocal with a track by The Strokes)...but it truly is a
matter of time before the first mash-up advert hits...advertising is the
only industry that can afford the legal work needed to clear it - they
could also comfortably afford to pay 200% royalties (if both parties
demanded 100%) without taking much of a hit. (imho, as usual).
Everything will get appropriated eventually, whether by us or by them (or
both - et tu ouroubous ;)
--
Ant
*nothing to plug here*
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